Read the book, Typographic Firsts The new Johnson & Johnson logo is more than a typographic blunder. It’s also a massive branding gamble with a high risk strategy. The post The New Johnson & Johnson Logo appeared first on I Love Typography.

Read the book, Typographic Firsts If I were to design a new magazine that needed to be both traditional with the hint of edge attitude, I would consider the Amberwood font family. It is a sans serif with a touch of quirk. Its key feature is the brush letter curves that at once gives it a carnival poster sensibility that feels as though it was designed...

Read the book, Typographic Firsts Web fonts are more than just a way to make your text look nice. They’re a powerful tool to communicate your brand’s personality, message, and values to your audience. Web fonts also affect the readability, usability, and accessibility of your website — factors which have a direct impact on your conversions and revenue....

Read the book, Typographic Firsts Perhaps the ideal way to appreciate Francis Chouquet’s 2023 typeface Scusi is to imagine the classic film posters painted and designed in the 60s and 70s by Italian film poser designer Sandro Symeoni, whose custom letter forms and typefaces adorned a bevy of imported Hollywood films destined to be translated or dubbed...

Read the book, Typographic Firsts In case you missed part one, catch up here. Today we have four more fantastic font families that are definitely worth checking out. Let’s jump straight in... The post New releases, fresh new fonts! — episode 2 appeared first on I Love Typography.

Read the book, Typographic Firsts We have some great new typefaces to tell you about! From blocky and fun display families like Scusi to eccentric scripts like Exentrica (we love the name), to the elegant high contrast of Copperscript — oh, and a tall slim gem called Amberwood. The post New releases, fresh new fonts! — episode 1 appeared first on...