The New Yorker: Culture
We are increasingly trading our privacy for a sense of security. Becoming a parent showed me how tempting, and how dangerous, that exchange can be.
As the country loses its local cultivars, an orchard owner and a group of biologists are working to record and map every variety of apple tree they can find in the West of England.
The Japanese filmmaker Ryûsuke Hamaguchi follows his Oscar-winning “Drive My Car” with a hauntingly ambiguous drama of nature and capitalism in conflict.
In Jane Schoenbrun’s new feature, two teens search for their true selves through their shared obsession with a horror TV series.
In an era of postmodern, self-referential music, there’s something refreshing about the artist’s new album—short songs, big hooks, and a celebration of delight.
Also: “Uncle Vanya” and “Staff Meal” reviewed, superstar pianists at Carnegie Hall, and more.
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