Online version of the weekly magazine, with current articles, cartoons, blogs, audio, video, slide shows, an archive of articles and abstracts back to 1925.
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Hayao Miyazaki’s Anti-Comfort Movie

“The Boy and the Heron” finds the filmmaker revising—and sometimes upending—the themes that have defined his career.

Thu May 2, 2024 23:53
“The Contestant” Is More Than a Cautionary Tale

The new Hulu documentary charts the rise of one of the earliest reality-TV stars and the ethically queasy production choices that cemented his fame—but it’s elevated by its interest in what came afterward.

Thu May 2, 2024 22:48
Three Broadway Shows Put Motherhood in the Spotlight

Paula Vogel’s “Mother Play,” Shaina Taub’s “Suffs,” and Amy Herzog’s “Mary Jane” strike back at the mother-as-monster dramatic trope.

Thu May 2, 2024 22:48
The 2024 Venice Biennale, Reviewed

Stifled by a weird and desperate present, the show finds some life in the treasures of the past.

Thu May 2, 2024 13:07
“The Fall Guy” Is Gravity-Defying Fun, in Every Sense

Starring Ryan Gosling and Emily Blunt, this action-comedy about a stuntman, by the stuntman turned director David Leitch, sticks its landings, but don’t expect characterization.

Thu May 2, 2024 13:07
“Challengers” Is Essentially a Well-Shot Commercial

Because the film has so little to say, viewers are free to simply focus on the vibes—which happen to be the area where Luca Guadagnino, its director, has most distinguished himself.

Thu May 2, 2024 02:19

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