The New Yorker: Culture
“The Boy and the Heron” finds the filmmaker revising—and sometimes upending—the themes that have defined his career.
The new Hulu documentary charts the rise of one of the earliest reality-TV stars and the ethically queasy production choices that cemented his fame—but it’s elevated by its interest in what came afterward.
Paula Vogel’s “Mother Play,” Shaina Taub’s “Suffs,” and Amy Herzog’s “Mary Jane” strike back at the mother-as-monster dramatic trope.
Stifled by a weird and desperate present, the show finds some life in the treasures of the past.
Starring Ryan Gosling and Emily Blunt, this action-comedy about a stuntman, by the stuntman turned director David Leitch, sticks its landings, but don’t expect characterization.
Because the film has so little to say, viewers are free to simply focus on the vibes—which happen to be the area where Luca Guadagnino, its director, has most distinguished himself.
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